Lady Monster

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Lady Monster

Lady Monster

from the Things Men Have Said To Me Instead Of Hello collection

Acrylic, rhinestones, glitter, snake shed, acrylic resin on canvas, framed in lacquered wood with gilded beading.


Things Men Have Said To Me Instead Of Hello

I go into detail about what this collection is all about on the collection overview page, but if you haven’t seen that you can read the description in the accordion below - click the + sign.

Lady Monster

As soon as I saw this ‘greeting’ pop up on my notifications: ‘Your pretty eyes make me hard’, I thought of Medusa. I thought of the poor man, petrified into a column of granite by my powerful gaze (even through a screen!), and wondered how he still had the capacity to type.

With that in mind, I suppose you could call this piece something of a revenge fantasy. But really, it’s a reclamation of power.

Once again (as with Sales Pitch) I’ve leaned into classical imagery with these faceted square rhinestones which create a mosaic effect, almost Byzantine in nature. I wanted to ground this piece in the ancient, the mythological, the idea that women have been dealing with this shit for centuries.

The pièce de résistance, though, is the border of snake shed - and, yes, it’s real snake skin. Evoking the legendary serpentine locks of Medusa herself. But this is just the shed skin, discarded and left behind, suggesting she's already moved beyond this version of herself, already transformed and grown, whilst he remains frozen in his own objectification.

In the original myth, Medusa was punished for being raped in Athena's temple – her beauty became a curse, and her gaze a weapon. She's the ultimate Lady Monster, her monstrousness created by male violence, turned into a protective talisman against exactly this kind of predatory attention. By invoking her here, I’m reclaiming that narrative: yes, my eyes will make you hard – they’ll turn you to stone, frozen mid-leer.

Medusa's myth is thousands of years old, yet here I am in the 21st century, still receiving the same entitled male gaze albeit through new technology. The platforms change, the predation doesn't.

If being considered a ‘Lady Monster’ is the price for refusing to remain pretty and passive, then sign me up.

Every time I look at this piece, I think about that man, frozen in his moment of entitled confidence, never knowing he was going to be immortalised as a cautionary tale. My pretty eyes made him hard, alright. May he stand trapped here forever: a monument, a warning, a relic.


See the rest of the pieces in this collection below.

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Previous

It Won’t Make A Summer

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Sales Pitch